Whitewater's 'The Sound of a Galaxy Smashing' is the first musical statement from a duo of astute musicians from England, multi-instrumentalist Stuart Stephens and beefy drummer Paul Powell. The former is a jack of all trades, fluent on guitar, keyboards, bass and vocals while the latter has a drum style closer to bashers such as Bonham, Roger Taylor, as well as presumed cousins Cozy Powell and Alan Powell (Hawkwind). What's in a name, eh? Must be the genes.
The single greatest gift that prog has brought to the music world is eliminating the 'rat race' and blind obedience to record companies (who have somewhat become redundant), as amateur musicians who have day jobs (Lawyers, entrepreneurs, architects, doctors, mailmen, waiters etc...) now can record and distribute their music thanks to modern technology and the Internet. In many cases, the talent is off the charts and is created purely for humanistic and not capitalistic reasons. All it takes is one fan, somewhere out there, half-way around the world who appreciates the effort, for it to be all worthwhile. Paraphrasing the Bible, 'He who delights one person, delights all of humanity'.
This album is quite a revelation, certainly for a debut album, as it's definitely more experimental and atmospheric than its successor, the punchier 'Obscured by the Sun'. There will be some who will, too conveniently, toss this into Pink Floyd-influenced territory, which is an easy and quite unstudied way out. Yes, it has loads of melancholia and special sonic effects but so did the Beatles! However, there are major differences in stylistics, Stuart preferring a clanging guitar sound that is closer to non-household names Franco Falsini (of Sensation's Fix) or Like Wendy's Bert Heinen rather than Gilmour, especially the rhythmic and acoustic work on this somewhat 'purer' recording. His vocals are not Floydian clones but his own personal style which is in a higher register and very occasional, as the focus is on the dense atmospherics and the elastic arrangements that are deliberately kept natural. The production is clear and crisp, albeit often unpolished, which is an added attraction (except for the rare heavy parts which I mention further on).
released October 16, 2013
All Songs Written, Produced and Performed by S.Stephens and P.Powell